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SHAY KUN

“The source material usually gives my work a bit of a sinister feeling, but there is also a certain longing, a lyrical aspect running through everything I do. As a painter, I wanted to do something completely different, but in the end my work comes from my personal background, and my artwork is an amalgam of my personal experiences and as a consumer of art and culture.”

Shay Kun (born 1974, Israel) is known for his hyper-surrealist style. Kun’s oeuvre is embodied in three series, Tear Drops, Lift Off (Hot Air Balloons), and Slums.

Shay-Kun-Untitled-2021-Oil-on-canvas-50×80-cm

Untitled, 2021, Oil on canvas, 50x80 cm

Shay-Kun-Untitled-2021-Oil-on-canvas-50×80-cm

Untitled, 2021, Oil on canvas, 50x80 cm

SHAY KUN

“The source material usually gives my work a bit of a sinister feeling, but there is also a certain longing, a lyrical aspect running through everything I do. As a painter, I wanted to do something completely different, but in the end my work comes from my personal background, and my artwork is an amalgam of my personal experiences and as a consumer of art and culture.”

Shay Kun (born 1974, Israel) is known for his hyper-surrealist style. Kun’s oeuvre is embodied in three series, Tear Drops, Lift Off (Hot Air Balloons), and Slums.

עותק-של-Shay-Kun-2012-Oil-on-canvas-55×80-cm

2021, Oil on canvas, 55x80 cm

Shay-Kun-Untitled-2021-Oil-on-canvas-116×200-cm_2

Untitled, 2021, Oil on canvas, 116x200 cm

Shay-Kun-Untitled-2021-Oil-on-Canvas-80×120-cm

Untitled, 2021, Oil on Canvas, 80x120 cm

As an artist who is firmly averse to painting from the real-world, Shay’s central focus is to contrast the decay of the artificial with that of the natural to create an organic digital removal from the original image. The images that attract and inspire the artist are deconstructed and reproduced thoroughly. When Shay is struck by an overwhelming image, it prompts him to explore and dissect it, with his interest lying in the mechanism of perception as opposed to the actual subject.

Shay’s acute awareness of his specific place in today’s visual culture - somewhere  between  the  historical  concept  of  fine  art  and the contemporary deconstruction of digital and electronic imagery as a central concept for his generation - places his work in juxtaposition with that of his parents.

For Shay  Kun,  a  series  is  never  complete. He revisits each subject as his interpretation of reality and  our  ability  to  comprehend  the  representational progression.

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